DON GILL
e-mail: Home - 403-394-0026 Mobile - 403-380-0564 Upcoming: National Gallery of Canada Library and
Archives. Site specific Installation. Ongoing
since 2007: Don Gill Walking.
Artist blog with
daily posts. <dongillwalking.blogspot.com> 2016 – Day Job: Erratic drawings in the workplace, Library intervention,
University of Lethbridge. 2016 – Confined Landscapes: a project from the Carceral Landscape.
Trianon Gallery, Lethbridge AB. 2015 - Erratic Space in Twelve Volumes. Lethbridge Public Library
Gallery, AB. Curated by Shanell Papp. 2011 - Erratic Space-Bowmanville. Visual Arts
Centre of Clarington ON. Curated by Maralynn
Cherry. 2008
- D'Arcy Island and Burrow -
ARTSPACE Gallery. Peterborough, ON. 2008
- The Sun Never Sets:
Victoria Park in Context, with Rachelle Viader Knowles.
Curated by Elizabeth McLuhan. Dunlop Art Gallery. Regina, SK. 2007
- Erratic Space, Winnipeg Art
Gallery. Winnipeg, MB. 2006 - D'Arcy Island - Southern Alberta Art Gallery. Lethbridge, AB. 2006
- Theories of Drifting -
Collaboration with Dagmar Dahle. Southern Alberta
Art Gallery. Lethbridge, AB. 2005
- Erratic Space - Confederation
Centre Art Gallery. Charlottetown, PEI. 2004
- Re:Route,
Southern Alberta Art Gallery. Lethbridge, AB. 2004
- Ten Texts and Two Melodramas,
Roving Gallery, Open Space, Victoria, BC. 2004
- Axis of Coincidence, Gallerie 101. Ottawa, ON. 2003
- Notes from the Axis of Coincidence,
The Other Gallery, Banff Centre. Banff, AB. 1999
- Plywood Girls, Roving Gallery,
Open Space. Victoria, BC. 1996
- PRE/POST, Gallery Sansair, Vancouver, BC. 1996
- Stories, A-Pro Gallery,
Vancouver, BC. 1995
- Selections from Sites of Production
in Displaced Histories, Canadian
Museum of Contemporary Photography. Ottawa, ON. 1994
- Seven Or More Views of The Pulaski
Skyway and…, public installation, Banff Centre for the Arts. Banff, AB. 1993
– Stories, OO Magazine Gallery.
Halifax, NS. 1992
- More Sites of Production, Gallery
A402, CalArts. Valencia, California, USA. 1992
- Sites of Production - West,
Photographers Gallery. Saskatoon, SK. 1991
- Sites of Production, Or Gallery.
Vancouver, BC. 1990
- Recent Sites from Sites of Production,
Anna Leonowens Gallery. Halifax, NS. 1990
- Perils of Leisure, Art Gallery of
Windsor. Windsor, ON. 1990
- Perils of Leisure, Don Gill with
Tourism I & II, Terry Atkinson. Contemporary Art Gallery, Vancouver. 1989
- Sites of Production, School of
Architecture Gallery, Technical University of Nova Scotia. Halifax. 1989
- He was exceedingly perfectionist.
Anna Leonowens Gallery, Nova Scotia College of Art
and Design. Halifax. 1988
- Squid - The Most Intelligent of
Invertebrates, The Front Gallery, Western Front. Vancouver, BC. 1988
- Towards a Lexicon of Domestic Crisis,
Window for NonCommercial Culture. Vancouver, BC. 1986
- Xenophobia-28, Window for NonCommercial Culture. Vancouver, BC. 1985
- Xenophobia, Centre Eye Gallery. Calgary,
AB. 1985
- The Attitude of Everyday Life,
(N)On Commercial Gallery, Vancouver, BC. 1980 - Excerpted Scenes from Pagan Ceremonies,
X-Changes Gallery, Victoria, BC. Selected
group exhibitions and video screenings. 2017 – Fifty: Work by Art Department Faculty,
Staff, and Emeriti, an exhibition
celebrating the 50th anniversary of the University of Lethbridge and the
history of the Art Department. Penny Building Gallery. 2016 – For the Time Being. Art Department Faculty and Staff Exhibition. Penny Building Gallery. Curated by Museum Studies Committee. 2015 – En Plein Air. Penny Building Gallery. Lethbridge 2015 – X20.,
Art Department
Faculty and Staff Exhibition. Penny Building
Gallery. Curated by Museum Studies Committee. 2014 - Artists'
Walks. Art Gallery of Peterborough, Peterborough, ON. Curated by Earl
Miller. 2013 – Slipstream. Art
Department Faculty and
Staff Exhibition. 2012 – Cartography and
Narratives. Film production, International Cartography Association,
Zurich. 2012 – Another Look -
Twenty Years of the Art Auction. Southern Alberta Art Gallery, Lethbridge, AB. 2012 – C.1983.
Presentation House Gallery. Vancouver BC. 2012 – WHMIS. University of Lethbridge Art
Department Faculty and Staff Exhibition. Penny
Building Gallery, Lethbridge AB. 2011 – Field Notes
Collective. Organized by Mary Kavanagh for Mapping a Prairie City:
Lethbridge and its Suburbs. Southern
Alberta Art Gallery, Lethbridge, AB. 2011 - University of Lethbridge Art Department
Faculty and Staff Exhibition. Penny Building Gallery, Lethbridge AB. 2010
– Take A Seat. Jensonian
Gallery, High River AB. 2010
- University
of Lethbridge Art Department Faculty and Staff Exhibition. Niche
Gallery, Lethbridge AB. 2009
- Serendipity - University of Lethbridge Art
Department Faculty and Staff Exhibition. Trianon Gallery Lethbridge AB. 2008
- Photography in Retrospect: 20 Years
of Photographic Pedagogy at NSCAD, Anna Leonowens
Gallery, Nova Scotia College of Art and Design, Halifax. 1999 – 2004 The Plywood Girls - selected screenings. -
University of Northern BC - 2001 Pacific Northwest
Labour History Association-1999 2003
- transferencias
- Canada-Mexico Photo-Literature Exchange. Banff Centre. Banff, AB. 1988 – Inaugural Show – Gallery TOO.
Vancouver, B.C. Curated by Randall Anderson. Writing, Published Projects, and Artist Books
2018
Day
Job Volume 1-5 Special edition produced for the University of Lethbridge
Library. 2016 Confined
Landscapes. Artist Book 2014 Erratic Drawings in 12
Volumes, vol 12, June. Artist Book. Erratic Drawings in 12
Volumes, vol 11, May. Artist Book. Erratic Drawings in 12
Volumes, vol 10, April. Artist Book. Erratic Drawings in 12
Volumes, vol 9, March. Artist Book. Erratic Drawings in 12
Volumes, vol 8, February. Artist Book. Erratic Drawings in 12
Volumes, vol 7, January. Artist Book. 2013 Erratic Drawings in 12
Volumes, vol 6, December. Artist Book. Erratic Drawings in 12
Volumes, vol 5, November. Artist Book. Erratic Drawings in 12
Volumes, vol 4, October. Artist Book. Erratic Drawings in 12
Volumes, vol 3, September. Artist Book. Erratic Drawings in 12
Volumes, vol 2, August. Artist Book. Erratic Drawings in 12
Volumes, vol 1, July. Artist Book. 2013 Transition
Drawings – March 1, 2012 to February 26, 2013. Artist Book 2013 Erratic
Space – Bowmanville. Artist Book 2013 Erratic
Space. Artist Project for Poesis, a journal of
arts & communication. Volume 15, 2013. “Researching Art - The Art of
Research” 2012 Exhibit P: Photography and Media Art from
the Prairies. Prefix
Photo, Issue 24. 2011 Comrade Artists: be
happy in your work. Artist project. On Site - art architecture urbanism
landscape 26 2010 Erratic Space/THE LAND.
Artist Book 100 Days – Walking to Edmonton. Artist Book. 2009 Rottnest Island. 35 km.
Dec 7, 2008. Western Australia. Indian Ocean. Artist Book. 2009 Frozen. Artist Book. Crossing Bray’s Bayou, East. Artist Book. Theories of Drifting –
Volume Two. Artist
Book. 2008 Crossing
Brays Bayou. Artist Book. 2008 D’Arcy
Island – an installation. InTensions. Issue
1.0, Spring 2008, Aesthetics of Affliction. http://www.yorku.ca/intent/issue1/
2007 Erratic Space – Fowlers Gap. Artist Book. 2006 Sketch
for Erratic Space – Regina. Artist Book. 2006
Theories
of Drifting. Artist Book. With Dagmar Dahle. 2007
Martha Rosler, 3 works by Martha Rosler. The Press of The Nova Scotia
College of Art and Design, 2006. Review by Don Gill. Woman’s Art Journal, Vol
28 No. 2, Fall, 2007. 2004 Place: Lethbridge, a City on the Prairie by Geoffrey
James and Rudy Wieb, Review by Don Gill. Great Plains Quarterly, vol.24 no.3,
Summer 2004. 2003 The Axis of Coincidence, parallel
project for Coincident, a
publication by ArtSpeak on the occasion of an exhibition,
“Souvenir: A Road Show” by Margaret Lawther. ArtSpeak,
Vancouver. 2003 Seven
or More Views of the Pulaski Skyway and..., artist project for Blackflash:
Canadian Journal of Photo-Based and Electronic Art Production, Vol. 21
No. 1, Fall. 2000 Traces,
Traces, Tracer, curatorial essay for brochure to accompany exhibition of Shinobo Akimoto, Terry Nurmi, and Bob Sherrin,
Open Space Gallery. 1999
Remaining
Distant, curatorial essay for brochure to accompany group exhibition
"To Remain at a Distance", Open Space Gallery, Summer 1999. 1999 A Tourist
of The Monuments of Passaic, New Jersey, artist project for Blackflash:
Canadian Journal of Photo-Based and Electronic Art Production, Vol 16, No. 3
Spring. 1995 Sault
Ste. Marie, Koksilah River, Photographic published
in Faultline, Journal of Art and Literature, University of California,
Irvine. Volume IV Fall. 1992 An
Excerpt from Sites of Production, artist project for The Capilano Review,
Series 2, No.9, October, 1992. Brochures to accompany exhibitions, 1991 to
1996. -
-BR 51--27Y - Leeds -
Wells - Burrard Inlet... - Brochure to accompany work in exhibition:
"Displaced Histories", Canadian Museum of Contemporary Photography,
Ottawa, Ontario. -
-Liberty Park - Ellis
Island - Los Angeles - Manzanar - Brochure to accompany work in exhibition: "Expose",
Walters Hall Gallery, Rutgers University, New Brunswick, New Jersey. -
-London - Vancouver -
Lancaster - Grinrod... - Brochure to accompany
work in exhibition: "Regarding the Territory", Sidestreet
Projects, Santa Monica, California, USA. 1994. -
-More Sites of Production - Brochure to accompany
exhibition of same name Gallery A402, CalArts,
Valencia, California, USA. April, 1992. -
-Sites of Production, Brochure to accompany
exhibition of same name, Or Gallery, Vancouver, British Columbia, Canada.
January, 1991. Selected
Bibliography (excluding newspaper reviews)
- Alanis,
Salvador "Axis of Concidence"(Brochure)
Gallerie 101, Ottawa. 2004. - Anderson, Andrea "Vancouver Island Invitational"
(review), Vanguard Magazine, No.2, Vol.12, March 1983. - Armstrong, Leila “Institutionalizing Fear: Don Gill's D'Arcy
Island” (review), Fuse Magazine, Vol. 30, No. 3. July 2007. - Balkind, Alvin “The Road Much Traveled By”, (Catalogue). Active
Artifacts Cultural Association. 1990. - Bate, David “Between Sight and Seeing” (catalogue) Contemporary
Art Gallery, Vancouver. 1990. - Brown, Lorna “Detained by the Camera (The place is now a
romance)” Catalogue SAAG 2007. - Cherry, Maralynn “Erratic Space:
Bowmanville” (brochure) Visual Arts Centre of Clarington. 2011. - Culley, Peter “Don Gill" (review), Parachute Magazine 53,
December-January 1988-89. - Culley, Peter “Adverse Practises” (catalogue), Vancouver
Association for NonCommercial Culture. 1988. - Davis, Todd A. “ Art and Advertising as
Public Imagery”, (Catalogue). Active Artifacts Cultural Association. 1990. - Edelstein, Susan “A brief history of the Non”, (article)
Border/Lines, Issue 34/35, 1994. - Haraldsson, Arni “The Billboard as a Form of
Public Address”, (Catalogue). Active Artifacts Cultural Association. 1990. - Hurtig, Annette “ Victoria Park in Context:
Watching the Sun Set” (catalogue) Dunlop Art Gallery, Regina. 2008. - Jeffries, Bill The Question of Travelers”
(catalogue) Contemporary Art Gallery, Vancouver. 1990. - Jeffries, Bill “Don Gill: Sites of
Production", (article), Blackflash, Vol.9,
no.4, Winter 1991/1992. - Klausen, Susanne “Off the Page and Onto the Screen: Some Thoughts on
Translating 'The Plywood Girls' into Video." (article) Labour/le Travail
47 Spring 2001. - Lawlor, Michael “Cameraworks"
(review), Parachute Magazine 47, June-August 1987. - Lawlor, Michael “Window for Non
Commercial Culture" (review), Vanguard Magazine No.1, Vol. 16, February-
March 1987. - McElroy, Gil “Don Gill, Erratic Space: Bowmanville” (review)
Galleries West Vol 10, No. 3 Fall/Winter 2011. - Morris, P "Private Addresses" (review), VIDEO Guide,
Vol. 11, No. 2, Issue 52, Autumn 1991. - Murfitt, Warren “Untitled” (catalogue), Vancouver Association for NonCommercial Culture. 1988. - Murray, Donald S. “Transpositions: An Introduction” (Catalogue).
Active Artifacts Cultural Association. 1990. - Payne, Carol “Displaced Histories”, (brochure) Canadian Museum of
Contemporary Photography. 1995. - Reid, Mary “Erratic Space: Don Gill” (brochure) Interview.
Winnipeg Art Gallery 2007. - Robertson, Lisa “Private Addresses” (brochure) Association for NonCommercial Culture. 1991. - Sherrin, Robert “Terry Atkinson and Don Gill" (review), Parachute
Magazine 60, October-December, 1990. - Steventon, Patrick ‘Adverse Practises"
(review), Artery, Summer, 1987. - Watson,
Petra Rigby “Consumption as Exchange: The Public Sphere”, (Catalogue).
Active Artifacts Cultural Association. 1990. - Wood,
William “Becoming Worse" (review), Vanguard Magazine, November 1988,
Vol. 17, no.5. Education
1992 - MFA. California
Institute of the Arts, Santa Clarita, California, U.S.A.
1989 - Simon Fraser University, Burnaby, B.C., Canada: Summer
Institute: Visual Art Intensive with Mary Kelly, Griselda Pollock, Victor Burgin
and Jo Anna Isaak. Grants
and Award 2017 University of Lethbridge travel fund grant. 2016 University of Lethbridge travel fund grant. 2013 Research Enhancement Award,
FFA, University of Lethbridge. 2012 Co-investigator ARDN Grant. 2012 Research Enhancement Award,
FFA, University of Lethbridge. 2012 University of Lethbridge travel fund grant. 2011 Co-investigator CREDO ULeth
internal grant. 2011 Research Enhancement Award,
FFA, University of Lethbridge. 2010 Research Enhancement Award,
FFA, University of Lethbridge. 2008 University of Lethbridge travel fund grant. 2007 FFA Research Travel Grant. 2007 University of Lethbridge travel fund grant. 2006 University of Lethbridge travel fund grant. 2005 University of Lethbridge Research Fund Grant. 2003 University of Lethbridge travel fund grant. 1994 Banff Centre for the Arts, residency grant. Collections (including video purchases) - Southern Alberta Art Gallery Academic
and Research Appointments
2017-2019 Research Fellow,
Center for Environmental Art, Art Museum of Nevada. 2010/Current - Associate Professor, University of Lethbridge, Lethbridge, Alberta.
2009 / 2014 - Adjunct
Professor, M.A. Graduate Program, Frost Centre for Canadian Studies and
Indigenous Studies.
Trent University, Peterborough Ontario. 1999 - Instructor in Photography, University of Lethbridge, Lethbridge,
Alberta. 1997 - Instructor
in Art, Malaspina University College, Nanaimo, BC, Canada Curatorial 2011 - Mapping a Prairie City: Lethbridge and its
Suburbs (co-curator/artist with Ryan Doherty). Southern Alberta Art
Gallery. Lethbridge, AB. Artist Run Centre and Museum
2005
- ongoing - Member of
Trap/Door artist run centre. 1999/2000 - Volunteer preparator, Prince George Art
Gallery, Prince George, B.C. Exhibitions
Committee 1988/1989
- Member of Nova
Scotia Photographers Co-op, Halifax, Nova Scotia, Canada. 1985/1986 - Board of Directors, (N)On Commercial
Gallery, Vancouver, B.C., Canada. 1978/79
- Project
Supervisor, Wells Historical Society, operating Wells Historical Museum and Wells
Pool Hall, Wells, B.C. 1975
- Archivists
Assistant, Visual Records - British Columbia Provincial Archives, Victoria, B.C. Conference Presentations
2018 –
Prophylaxis: The Carceral Landscape. Canadian Association of Cultural
Studies conference. Simon Fraser University, Vancouver. Panel: BC’s Carceral Legacies. 2017 – Perambulation
and Perception: The discursive practice of documentation. Visible Evidence XXIV. Centro Cultural Borges – UNTREF,
Buenos Aires,
Argentina. Panel - Non-Fiction
Art, Instrumentalism and Social Practice: conversations
about the Visual and political change. Chair: Don
Gill 2016 – Constructing an Archive. Visible Evidence XXIII. University of
Montana, Bozeman. Panel - Art,
Archive, and the Documentary Impulse: An alternate view; organized by Don Gill. 2008 - D'Arcy Island. Panel - Interrogating Trauma: Arts & Media
Responses to Collective Suffering. Murdoch
and Curtin Universities, Perth, Australia. Lectures/Performances,
Residencies and other Activities 2016 - Art Now, Artist Lecture, University of
Lethbridge. 2015 - Conversations in the Arts, Faculty of
Fine Arts lecture: Erratic Drawings in
Twelve Volumes. University of Lethbridge. - - Lethbridge Photography Club, Bowman Art Gallery, Lethbridge, Alberta. 2014 – Art Now, Artist Lecture, University of Lethbridge. –
Artist in Residence, Art Gallery of Peterborough. –
Artist’s Walks, Panel - Walking as
an Art form. Art Gallery of Peterborough, ON. 2012 – C.1983, Panel Discussion contextualizing
camera-based art in Vancouver during the 1980s. Presentation House Gallery,
North Vancouver, BC. – Juror
-
Canada Council for the Arts, Long Term Grants to Visual Artists. - Art Now, Artist Lecture, University of
Lethbridge. – Erratic Space – Bowmanville, Artist
Lecture, Visual Arts Centre of Clarington. Bowmanville, On. – Artist in Residence, Visual Arts Centre of Clarington.
Bowmanville, On. 2010 - Artist in Residence, The Land: an art
site. Mountainair, Mew Mexico. 2009 - Art Now, Artist
Lecture, University of Lethbridge. 2008 - ongoing – Editorial
Collective of InTensions, an
interdisciplinary peer reviewed e-journal. Fine Arts -
Cultural Studies, York University. - Artist
in Residence, Erratic Space
-Victoria Park. Dunlop Art Gallery, Regina. - Gushul Studio Residency. University of
Lethbridge, Blairmore Alberta - Artist Lecture, Alberta College of Art
and Design, Calgary, AB. - Artist Lecture, Lawndale Arts Center,
Houston, Texas. - Notes From the Axis of Coincidence and Canada and Collaboration. 2003 - Conversations in the Arts, University
of Lethbridge. Lecture - Notes from the
Axis of Coincidence. - Canada Mexico Photo/Writing exchange. – Artist in Residence Canada/Mexico
Photography/Literature Exchange Part two, Banff Centre for the Arts. Banff
Alberta. 2002 - Artist in Residence Canada/Mexico
Photography/Literature Exchange. Part one, Merida, Mexico. 1990 - Place Of Work, Exhibition Panel
discussion, Contemporary Art Gallery, Vancouver, B.C. Filmography
/ Videography. 2016 SAD
SPARROW – Looped video. 2012 COMRADE
ARTISTS: BE HAPPY IN YOUR WORK. – 2 channel video loop. 2011 ERRATIC
SPACE – BOWMANVILLE – Looped video. 2010 ERRATIC SPACE/ THE LAND - Looped
video. FLAME – Looped video. MINNEAPOLIS – Looped video. 2009 2008
2007 2006 .
Byron Chief
Moon. With
Carol Williams. .
Lily Marquez. With Carol Williams. .
Paulos Gote. With Carol Williams. .
Yalda Dadulla and Furazon
Mohammed Haider. With
Jan Newberry. .
Fatemeh and Zhari Elyasi. With Carol Williams. .
Reyko and Makio Nashiyama.
With Lisa Kozleski. 2005 2004 2003 1999 1992 1982 |
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