Let the book begin.
I am a professor of Education at the University of Lethbridge, male
and 59 years old. I am about to embark on a 6-month Study Leave, much
of which will be spent in Australia near the north coast region of New
South Wales. While much of my time will be spent on professional activities
related to my interest in developing online courses, and in conducting
research into how Information Technologies are affecting university
professors, I also wish to devote about 2 hours a day for about 5 days
a week to learning more about Art. I view my background in this area
to be minimal and as such consider myself to be a novice and a beginner.
Depending on the topic, we are all beginners. You are welcome to join
the Fellowship of the Art Quest (FAQ). The only prerequisite is interest.
This is the only prerequisite for learning more about any topic. That
and time.
My time will be spent on two types of activities: reading, and perhaps
discussing what I have read with others, and composing this record of
my efforts. Assuming I am successful, and I have every intention of
being successful, then this record may be viewed as the preliminary
makings of a path into a new country. Others may wish to follow the
path, or they may strike out on their own path, using this record as
a catalyst for their own journey, and as something that they may wish
to use as a comparison with their own progress. There are many different
ways to travel, many different places to linger, and many different
destinations.
The idea of a book, and a deliberate attempt to create something that
might be interest to some one else, is only about an hour old. I am
clearly both optimistic and excited about trying this idea out. I wish
you were here to share in my initial enthusiasm. Such enthusiasm is
normal when beginning a new journey. The real test is what happens after
the trip is a few weeks old. We shall see.
I really began the idea of learning more about Art about a week ago.
I had purchased a book called "artwise: Visual Arts 7 - 10"
a few months ago while in the Australian Broadcasting Corporation shop
in the central business district of Lismore, NSW. I was in Lismore during
the first 6 months of 2001 on a Visiting Research Fellowship at Southern
Cross University, and had a habit of visiting the local bookstores on
a fairly regular basis. I finally found the time to have a look at the
book during the Christmas break. The book was written for students in
grades 7 - 10 in New South Wales. I was immediately attracted to the
book because of its overall design. Since I am new to this topic, this
seems like a perfectly appropriate place to begin.
I have been devoting about an hour each day, well at least on most
days, to reading about a particular artist and one piece of work produced
by that person. Thus I began with Polykleitos, then Giotto, Masaccio,
Raphael, Bernini, Matisse and Picasso. All of these artists had two
pages each, including a color photograph of at least one of their works.
Of these seven names, only three (Raphael, Matisse and Picasso) were
familiar to me, but even with these three I would have been hard pressed
to say much about either their lives or their works. The descriptor
"beginner" flatters me.
Having not only read about these seven artists, but having spent about
an extra hour on the Internet locating web sites for each artist that
provides additional information on them and their work, as served to
increase my interest in learning more. I am not restricted to just the
material in the book, I have access to a fantastic amount of additional
information, created by a wide variety of individuals who have a much
deeper understanding and appreciation of Art than I do.
The next few artists in the artwise book are Australian. Fair enough.
However it piques my own sense of nationalism to wonder whether I might
add a branch to my learning to include Canadian artists. Even here,
my knowledge is very limited, and the opportunities for learning are
wide open. I like Robert Bateman's paintings (I even have one) and am
aware of the Group of Seven and Emily Carr, and if I search my memory
I may recall names like Paul Kane and Cornelius Kreigoff, as well as
Keirstead (from the area near Kingston, Ontario where we lived for 14
years). Not a very long list, nor a very deep one.
This morning I decide to see if I can find a good book on well-known
Canadian artists. I don't see anything that catches my eye when searching
the Indigo/Chapters bookstore website. It then occurs to me that a friend
who I happened to see the previous day in one of the university corridors
might be able to help me. I give Fred Greene a phone call and he is
able to find time for a quick cup of coffee. As soon as I mention that
I am looking for a good book on Canadian artists, he spins around in
his chair and pulls a tattered book off the shelf. "Here is what
you want," he exclaims, handing me "A Concise History of Canadian
Painting" by Dennis Reid. He is right. The book looks exactly like
what I had in mind. The book was published in 1988, so I may have a
little difficulty finding a copy for myself, but Fred is confident that
it is available.
After the coffee is finished I wander over to the university bookstore
to see what I might find. The book is not there, but I do find 5 other
small books that attract my attention. One of my genuine weaknesses
is one for books. I like books, and I like to buy books. I like the
convenience of having them nearby, where I can access them when the
occassion presents itself. Two of the books are for children: "A
First Book of Canadian Art" by Richard Rhodes and "Emily Carr"
by Rosemary Neering. Using the same logic that led me to buy "artwise",
I purchase these as well as three others. Two are part of the series,
Barron's Art Handbooks. These are fairly compact introductory books
that are color coded into series such as Red: art genres, Yellow: art
history, Green: art techniques and Purple: are media. They had one from
the Green series on "Illustration Techniques" and one from
the Red series on "The Nude". These both look like excellent
additions to my library, since they will give me more detail than what
I will find in the children's books. The fifth book is called "A
Short Guide to Writing About Art" by Sysvan Barnet. This is when
I first have the idea about writing about my learning experiences. I
have yet to open this book, but I assume it will have many suggestions
that may prove useful to me in the future as I continue this venture.
I arrive home, excited about the way the morning has gone. I access
the Internet and discover that finding the Reid book may prove to be
a bit of a challenge. I put that idea on the back burner for the moment,
and decide to drive over town to see if the Chapters store has either
the Reid book (a long shot, given that it is not available on the web)
or more of those books from the Barron's series. In both cases the answer
is no, but as is usually the case, once I am in the proper section of
the bookstore, I find other books that look excellent. In this case
it is another series of small books published by Taschen publishers,
each about a specific artist and including a number of bright images
of their work. I buy 5! Michelangelo and Leonardo, because I know of
them and because the images are spectacular; Matisse and Picasso, because
I have recently learned a bit about them and am ready to learn a bit
more; and Dali, because I have liked many of his paintings in the past.
What a day. I now have 10 more books in my library, all waiting to be
read. The latter 5 are quite manageable, so I will remove my fingers
from the keyboard and begin reading one. Michelangelo seems like a good
way to begin.
I have spent at least 2 hours this morning related to learning more
about Art. This included one cup of coffee, visits to two bookstores,
the purchase of 10 new books and the creation of this electronic page.
A very good day.