At Login: danc/se, the symposium held in conjunction with the Canada Dance Festival 2000, the dance community took part in a broad discussion about its own legacy and the state of dance collections in Canada. Creators, educators, critics, historians, scholars, and administrators alike recognized the pressing issues of documentation and preservation, and decided to launch a dance heritage initiative. This strategy is the result of these efforts.

vision
The long term objective is...
to ensure the preservation of Canada’s dance heritage, recognizing that legacy is vital to the future of a sustainable dance discipline.

strategic objective
The strategic objective for this five-year period beginning in 2002 is...

to lay the foundations for maintaining dance heritage in Canada.

strategic directions

A. BUILD A NETWORK
Identify a network for dance preservation across Canada by...

  • launching a dialogue on dance heritage needs among dance practitioners, collections custodians, and dance scholars
     
  • identifying the essential components of dance documentation, including methods for documenting the choreographic work and the interpretation
     
  • facilitating the self-identification of dance organizations that will maintain preservation capacity for their own archives
     
  • promoting awareness of dance heritage needs among collecting institutions and professionals (archivists, librarians, curators, collections managers)
     
  • ensuring diversity and geographic range in a dance preservation network, to reflect dance in Canadian society
     
  • clarifying roles and mandates of Canadian dance heritage stakeholders, and ensuring that the dance community has a sustained voice in determining the future of its own legacy

 

B. PLAN NOW TO PROTECT FUTURE CREATION
Ensure documentation for future dance creation in Canada by...

  • promoting legacy awareness among dance practitioners
     
  • integrating documentation and record keeping into dance project funding, through project criteria and policy initiatives
     
  • building capacity for heritage preservation in the dance community by developing and maintaining self-help tools that can be used by practitioners and organizations
     
  • undertaking development initiatives in dance/media and inter-disciplinary activities (film, video, new technologies) that will result in effective documentation

 

C. PRESERVE PAST CREATION
Address the preservation management needs for Canadian dance heritage materials created before 1990 by...

  • identifying the key extant dance records that are essential to Canadian dance history and to dance scholarship and appreciation
     
  • establishing special projects to find appropriate repositories for existing collections
     
  • establishing a special program to kick-start the reformatting of dance records on obsolete and at-risk formats

 

 

 

This strategy has been prepared by the Committee for the Preservation of Canada’s Dance Heritage: Lawrence Adams, Miriam Adams, Amy Bowring, Theresa Rowat, Philip Szporer, Vincent Warren, Leland Windreich.


April 2002

 

further information contact:
 

Theresa Rowat -
Amy Bowring -

 

 

prepared with support from The Canada Council for the Arts