Ian McAdam received his PhD at
Books:
The Irony of Identity: Self and Imagination in the Drama of Christopher
Marlowe (Newark: University of Delaware Press, 1999). Second-place
winner of the Roma Gill Award of the Marlowe Society of America for a superior
critical study published on Christopher Marlowe in 1999-2000.
Magic and Masculinity
in Early Modern English Drama (
Articles:
"Edward II and the Illusion of Integrity," Studies in Philology 92 (1995): 203-29.
"Carnal Identity in The Jew of Malta," English Literary Renaissance 26 (1996): 46-74.
"Renaissance Inwardness and Current Critical Practice" (review article), Dalhousie Review 76 (1996): 273-84.
"Masculinity and Magic in Friar Bacon and Friar Bungay," Research Opportunities in Renaissance Drama 37 (1998): 33-61. [Reprinted in Robert Greene: The University Wits, ed. Kirk Melnikoff (Ashgate, 2011)]
"Masculine Disaffection and Misogynistic Displacement in Carew's Love Lyrics," in The Image of Manhood in the Seventeenth Century: Viewing the Male, ed. Andrew P. Williams (Westport, Connecticut: Greenwood Press, 1999).
"The Spanish Tragedy and the Politico-Religious Unconscious," Texas Studies in Literature and Language 42, no. 1 (2000): 33-60.
"Fiction and Projection: The Construction of Early Modern Sexuality in Elizabeth and Shakespeare in Love," Pacific Coast Philology 35, no. 1 (2000): 49-60.
"The Repudiation of the Marvelous: Jonson's The Alchemist and the Limits of Satire," Quidditas: Journal of the Rocky Mountain Medieval and Renaissance Association 21 (2000): 59-77. [appearing 2002]
"Protestant Manliness in Arden of Faversham," Texas Studies in Literature and Language 45, no. 1 (2003): 42-72.
"The Puritan Dialectic of Law and Grace in Bartholomew Fair," Studies in English Literature 46, no. 2 (2006): 415-33.
“Masculine Agency and Moral Stance in Shakespeare’s King John,” Philological Quarterly 86, nos. 1 & 2 (2007): 67-95. [Reprinted in Shakespeare Criticism (SC-142) (Gale, 2011).]
“Milton, Satan, Galileo, and Gunpowder,” Notes and Queries 253, no.3 (2008): 289-91.
“Remembering Ibsen in Tennessee Williams,” Notes on Contemporary Literature (September 2012, Vol. 42.2).
“Magic and Gender in Late Shakespeare,” in Late Shakespeare: Plays, Themes and Contexts 1608-1613, ed. Andrew Power and Rory Loughnane (Cambridge University Press, 2013).
“The Jew of Malta and The Merchant of Venice: A Reconsideration of Influence” in The Jew of Malta: A Critical Guide (London: Bloomsbury, 2013), ed. Robert A. Logan.
“Masculinity in The Alchemist ” in The Alchemist: A Critical Guide (London: Bloomsbury, 2013), ed. Helen Ostovich and Erin Julian.
“Eucharistic Love in The Merchant of Venice,” Renaissance and Reformation 38, no.1 (2015): 83-116.
“Dido Queen of Carthage, Hamlet, and the Transformation of Narcissism,”
Marlowe Studies: An Annual 5 (2015):
99-129.